

Last week I found those etchings I had mentioned in
this post. Having done these about a decade ago, I'd forgotten that it was a 2-part print. I believe our Printmaking teacher was encouraging us to explore various techniques as well see how much working a zinc plate could take. The top print was done using both
etching techniques such as
aquatint and
drypoint. For the next one, I had to burnish the entire plate down and produce another image on the same plate. I think the effect is an interesting one, allowing a bit of the first image to play it's ghostly part in the finished image.
And like my
friend Anne, just thinking back to the process makes me long for the tactile process of making prints.
